Category Archives: Louvre aulos
In June 2017, Callum Armstrong upgraded to a deluxe Louvre model, developed for him by Robin Howell in Toronto, Canada. Callum’s first performance playing this ‘Rolls-Royce’ instrument was at the 10th MOISA Meeting in Oxford last July: The photographs above … Continue reading
Here is a draft of some performing materials I am developing with Armand D’Angour and Stefan Hagel. This is an experiment – we would welcome feedback from singers and academics. Our idea is to move away from a single solution, a … Continue reading
It has been quiet on this blog for the last five months. Callum Armstrong has been busy, however – practising, composing and making reeds. I have kept up my documentation of his progress by pressing record on my video camera … Continue reading
Barnaby asks me about my thoughts on possible uses of the Louvre aulos in the theatre. Well, in my view the Louvre and the Berlin instruments belong to a different world – perhaps that of dinner parties. Theatre music from … Continue reading
When exchanging ideas about playing the aulos, I always try to bear one puzzling fact in mind: as far as we know, ancient musical notation was never used to write down a two-part motion. We may have traces of very … Continue reading
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