Categories
-
Recent Posts
Recent Comments
- Barnaby Brown on Poetovio Tibia I
- Barnaby Brown on A Louvre deluxe model by Robin Howell
- Vincent de Leonardis on A Louvre deluxe model by Robin Howell
- Jeff on The 1st Euterpe doublepipe school
- Jeff on The 1st Euterpe doublepipe school
Tags
balaban bridles circular breathing conservation double flute dvojnice ergonomics Euterpe fingering formers hichiriki knobs launeddas lectures Louvre Louvre aulos maceration maintenance Materials mechanism mechanisms notation offset holes paean Paestum parallel 2nds people pitch playing position polymodal Pompeii Poseidonia practising Pydna reed caps reed making reeds reproduction resources rotating rings Seikilos technique tibia tounging vibrato
Category Archives: Iconography
Lecture on the Roman tibiae on-line
I am pleased to share with you my lecture on the Roman tibiae which was given in September last year in the frames of the Short Summer School “Music Archaeology” organised by Berliner Antike-Kolleg in cooperation with the EMAP - European Music Archaeology Project. The lecture was … Continue reading →
The Reeds: Observations Based on Ancient Evidence
Below you will find Barnaby Brown’s six observations regarding ancient reeds based on (1) the iconographic evidence which I present in a forthcoming article, and (2) a text by Theophrastus (c. 371 – c. 287 BC). Following each observation is some … Continue reading →
Protected: The Reeds: Archaeological and Iconographic Evidence
There is no excerpt because this is a protected post.
Protected: Tibiae/Auloi on Pitano Perra’s blog
There is no excerpt because this is a protected post.
